You don’t want your center guidelines going all over the place, because they are your guarantee that your design will be centered. On the Alba Maxima, I find it fairly easy to see the threads of the fabric, but if you have trouble with that, do use really good light and magnification if necessary. It’s really, really important to stay right on that line in the fabric, where you’ve marked the center. Starting right on that center crease where you’ve finger pressed, begin basting down the center of the fabric, following exactly the fabric thread, and never straying from the center line. Then, thread up a long length of sewing thread in your needle (I double it in the needle, just so I can really see the basting lines clearly). You just want a little crease on the very edge of your fabric – don’t finger press down the length of the fabric! Just a tiny crease right on the edge, to mark the center. Today, you’re going to put new wrinkles in it!įold the linen in half lengthwise and finger press the very edge in the center of the fold, to mark the middle of the fabric. Grab your prepared linen off the table, where it’s been lying flat and has no wrinkles in it. So you can apply these concepts to just about any embroidery project that demands an accurate layout and placement of the design.Īre you with me, then? Ok, let’s do it! You’re going to need a sewing needle of some sort (I used a #9 crewel needle), a contrasting color of regular sewing thread, a ruler, and maybe (depending on your eyesight) magnification. But even if you’re never in your life planning to work this project, these steps hold true for any type of similar project. Keep in mind that I’m working through all the steps for the Hungarian Redwork Runner project. Now that the linen is nice and smooth and ready to work with, I’ll show you how to ensure an accurate layout for your embroidery project. Yesterday, we looked at how to prepare linen for a hand embroidery project.
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